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Music, Movement, and Masculinities

····· lezzter Preis 28.00€ ···· Rheinberg-Buch.de - Bücher, eBooks, DVD & Blu-ray
Despite influential recent scholarship on men in dance, the topic of bodily movement remains feminized in much of Western popular culture as well as in academia. Yet because gender is a construct that relies on perceptions of the body, regardless of that body`s gender, bodily movements provide keys to understanding how masculinities are constructed or questioned in different cultural contexts. This special issue seeks to understand how staged performances present or challenge ideals of masculinity, as well how masculine and feminine genders are constructed relationally through dance performance. It developed from a panel presented at the 2010 meeting of the Society for Ethnomusicology titled `Music, movement, and masculinities,` but has since grown to include additional scholars. The issue will begin with an introduction contextualizing and commenting on the range of articles in the volume. In the first, author 1 suggests answers to the question of why ballet pas-de-deux gender protocols have failed to evolve, even in the face of numerous academic and choreographic critiques of ballet`s gender roles. Next, author 2 examines the ironic portrayal of masculine rock stereotypes in competitive air guitar movements, demonstrating the genre`s use as a bodily critique of rock`s gender and racial constructions. The third contribution focuses on how capitalist realities have altered the ways in which Hungarian men creatively represent themselves through modern folk dance, while the fourth provides an analysis of the `official` masculinities displayed in Hungarian State Folk Ensemble choreographies. The fifth article challenges the construction of `oriental dance` as a feminine realm by demonstrating that male performers present a particular, orientalist type of masculinity. Finally, author 6 examines the performance of masculinities in ballet-based Ukrainian concert dance in Canada. As a whole, the proposed issue presents diverse views on contemporary masculine bodily expression from both established and emerging dance scholars, and it covers a broad range of geographic areas. Its examination of staged dance performances around the world, each of which aestheticizes masculinities in a different way, will be of interest to ethnomusicologists, dance ethnologists, folklorists, and performance studies scholars. In addition, it takes impetus from the current interdisciplinary interest in gesture studies, while pushing that field forward through its specific emphasis on masculine movements in popular, traditional, and classical musical contexts. ····· 1036158308

Zili(zo)pendwa: Dance Music and Nostalgia in East Africa

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East African `classic` music, known in Tanzania as zilipendwa or in Kenya as zilizopendwa (literally, `thosewhich were loved`) is making a comeback. Artists such as Samba Mapangala, Les Wanyika, Daudi Kabaka, Mlimani Park Orchestra, Ottu Jazz, Mbaraka Mwinshehe, Marijani Rajabu, and Tabora Jazz can be heard being played either on sound systems at clubs or weddings, or being rendered live by cover bands to warm up the crowd before playing their own numbers. With the exception of youth who are under the spell of the explosive Swahili version of hip hop and R&B (called Bongo Flava in Tanzania, Genge or Kapuka in Kenya) these gentle old songs still carry meaning and grace the night at many dance halls, discos, bars, hotels and social functions in Nairobi, Kisumu, Eldoret, Mombassa, Arusha, Mwanza, Morogoro, Tanga, and Dar es Salaam. These songs are also covered, remixed, and sampled by rap artists, and they are also played in church. What is fascinating about the nostalgia for this music is the intensity with which it is happening: it is nothing short of a nostalgia movement. The undergirding theme of this collection of articles will demonstrate how nostalgia for zili(zo)pendwa is far from being a melancholic rumination over days long-past, but is enacted instead for the sake of health and community well-being. Zili(zo)pendwa is a conscious act towards musicking the values of a fading era, creating temporary autonomous zones where by Review Authors and Titles of Recordings Reviewed) ····· 1036158307

Transatlantic Musical Flows in the Lusophone World

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Contents: +++ Articles \* Barbara Alge: Transatlantic Musical Flows in the Lusophone World: An Introduction \* Suzel Ana Reily: Reconceptualizing `Musical Mulatismo` in the Mining Regions of Portuguese America \* Martha Tupinambá de Ulhôa and Luiz Costa-Lima Neto: Memory, History and Cultural Encounters in the Atlantic: The Case of Lundu \* Christine Dettmann History in the Making: An Ethnography into the Roots of Capoeira Angola \* Katherine Brucher Crossing the Longest Bridge: Portuguese Bands in the Diaspora \* Jorge de La Barre and Bart Vanspauwen: A Musical Lusofonia Music Scenes and the Imagination of Lisbon +++ Book Reviews (Dan Bendrups, ed.) \* Jonathan Glasser: Richard C. Jankowsky, Stambeli: Music, Trance, and Alterity in Tunisia \* Dale A. Olsen: Matthias Stöckli and Arnd Adje Both (eds.), Flower World: Music Archaeology of the Americas/Mundo Florido: Arqueomusicología de las Américas \* Kent Windress: Bode Omojola, Yoruba Music in the Twentieth Century: Identity, Agency and Performance Practice \* Chunghee Sarah Soh: Joshua D. Pilzer, Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese `Comfort Women` \* Dan Bendrups: David Kaminsky, Swedish Folk Music in the Twenty-First Century: On the Nature of Tradition in a Folkless Nation +++ Recording Reviews (Robert Fry, ed.) \* Elizabeth A. Clendinning: From Kuno to Kebyar: Balinese Gamelan Angklung, produced by Ruby Ornstein \* Ryan McCormack: Seven Stamps, produced by Dimitar Bodurov \* Shari Lindblom: Cute Boy, Charming Girl: Children`s Songs of the Modern Hebrew Nation (1882-1948), produced by Edwin Seroussi, the Jewish Music Research Centre, and The Hebrew University of Jerusalem \* Plamena Kourtova: Kelmti Horra (My Word is Free), produced by Emel Mathlouthi +++ Website Reviews (Frances Wilkins, ed.) \* Hannah Marsden: Folk Punjab \* Keith Howard: Tinotenda: Shona Mbira \* Kristin Borgehed: Ukrainian Folklore Audio Project \* Kirk King: Sant Sucha Singh Archives of Music \* Máire Ni Bhaoil:l Inishowen Song Project \* Noel Lobley: The Official Woody Guthrie Website \*Joseph Jordania: Sounding the Depths +++ About the Contributors +++ the world of music (new series) ····· 1036158306

the world of music bibliography

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Contents: \* From the Editor + 1. the world of music-On the History of the Journal + 2. Contents and Abstracts (Volumes and Issues in Descending Chronological Order) + 3. the world of music bibliography (In Alphabetical Order by the Authors of Articles) + 4. Book Reviews (In Alphabetical Order by Authors of Books Reviewed and Review Authors) + 5. Recording Reviews (In Alphabetical Order by Review Authors and Titles of Recordings Reviewed) + 6. Cumulative Index ····· 1036158302

***Ethnomusicology at the Academy

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Music for Being

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++ Articles \* Roger W. H. Savage: Being, Transcendence and the Ontology of Music \* Meilu Ho: A True Self Revealed: Song and Play in Pushti Marg Liturgical Service \* Helena Simonett: Narrativity and Selfhood in Mayo-Yoreme Mortuary Rituals \* Deborah Kapchan: Learning to Listen: The Sound of Sufism in France \* Rebecca D. Sager: My Song is My Bond: Haitian Vodou Singing and the Transformation of Being \* Jean Kidula: Transcending Time, Empowering Space: (Re)iterating a Logooli/Luyia/Kenyan Song ++ Book Reviews (Helena Simonett, ed.) \* N. Ross Crumrine: Zoila S. Mendoza, Creating Our Own: Folklore, Performance, and Identity in Cuzco, Peru \* Megwen Loveless: Sean Stroud, The Defense of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of Musica Popular Brasileira \* Shalini Ayyagari: Andrew Alter, Dancing with Devtas: Drums, Power and Possession in the Music of Garhwal, North India \* Sally Treloyn: Fiona Richards (ed.), The Soundscapes of Australia: Music, Place and Spirituality \* Jeffrey A. Jones: Garth L. Green and Philip W. Scher (eds.), Trinidad Carnival: The Cultural Politics of a Transnational Festival Shannon Dudley, Music from Behind the Bridge: Steelband Spirit and Politics in Trinidad and Tobago Kevin K. Birth, Bacchanalian Sentiments: Musical Experience and Political Counterpoints in Trinidad ++ Recording Reviews (Dan Bendrups, ed.) \* Helen Black: An Extended Review of New Recordings of Music from the Torres Strait: Mabuygiw Awgadhaw Nawul: Traditional and Contemporary Music and Dance of Mabuiag Island, Torres Strait. Badu Nawul: Traditional and Contemporary Music and Dance from Badu Island, Torres Strait. Iama Wakai Tusi/Voices of Iama: Traditional and Contemporary Music and Dance from Iama/Yam Island. Torres Strait Regional Authority TSRA 001-003 (2008) \* Elaine Dobson: Play the Saluang Flute, Use Your Fifth Finger: Lyrical Songs from Payakumbuh, West Sumatra. Institute of Cultural and Social Studies, Leiden University NUR 055 (2002) ++ About the Contributors ++ the world of music ····· 1036158300

Music and Sustainability

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++ Articles \* Jeff Todd Titon Economy, Ecology, and Music: An Introduction \* Mark F. DeWitt Louisiana Creole Bals de maison in California and the Accumulation of Social Capital \* Tom Faux Don Roy, Fiddle Music, and Social Sustenance in Franco New England \* Lois Wilcken `Pay for Play`: The Redistribution of Payola for Music Diversity in New York State and Its Implications for Sustainability in Music \* Janet Topp Fargion `For My Own Research Purposes` : Examining Ethnomusicology Field Methods for a Sustainable Music \* Thomas Turino Four Fields of Music Making and Sustainable Living \* Jeff Todd Titon Music and Sustainability: An Ecological Viewpoint ++ Book Reviews (Helena Simonett, ed.) \* David Harnish: Sarah Weiss, Listening to an Earlier Java: Aesthetics, Gender, and the Music of Wayang in Central Java \* JoSko Caleta: Mirjana LauSevic, Balkan Fascination: Creating an Alternative Music Culture in America \* Arnd Adje Both: Ellen Hickmann, Klänge Altamerikas: Musikinstrumente in Kunst und Kult \* Helena Simonett: Helmut Brenner, Marimbas in Lateinamerika \* Barbara Alge: Herom Vargas, Hibridismos Musicais de Chico Science and Nação Zumbi \* Lorna McDaniel: Rebecca S. Miller, Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean \* Susana Asensio Llamas: Alejandro L. Madrid, Nor-tec Rifa! Electronic Dance Music from Tijuana to the World \* Akosua Obuo Addo Meki Nzewi, A Contemporary Study of Musical Arts: Informed by African Indigenous Knowledge Systems ++ Recording Reviews (Dan Bendrups, ed.) \* Jared Mackley-Crump: The Whitchurch Hornpipe. Hampshire, UK: WildGoose Records WGS350CD (2008) \* Dan Bendrups: Hampshire Dance Tunes: Country Dance Tunes from the Pyle Family Manuscript 1822. Hampshire, UK: WildGoose Records WGS325CD (2006) ++ About the Contributors ++ the world of music ····· 1036158299

***Accordion Culture

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Music, Language and Dance 1/2000

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Contents: Articles \* Marc Jeannin: Organizational Structures in Language and Music \* Sofia Barreto & Eva Ordonez Flores: Dance and Music in Canarian Malaguenas \* Eva Ordonez Flores: Dance Improvisation Rules and Practice in the Cuadro Flamenco \* Eva Ordonez Flores & Marc Jeannin: Metrical and Rhythmic Interpretations in Cante Flamenco \* Sofia Barreto: Venezuelan Carnival Songs: Singing Calipso in El Callao \* Apollinaire Anakesa & Marc Jeannin: Rhythmic and Melodic Variations in Traditional African Music and Dance: Mongo`s Bobongo Culture \* Carl Gombrich: Expressions of Inexpressible Truths: Attempts at Descriptions of Mystical and Musical Experiences Book Reviews (Helena Simonett, ed.) \* Barry Shank: Fabian Holt, Genre in Popular Musici> \* Kathleen J. Van Buren: Sylvia A. Nannyonga-Tamusuza, Baakisimba: Gender in the Music and Dance of the Baganda People of Uganda \* Carol Muller: Gregory Barz, Singing for Life: HIV/AIDS and Music in Uganda \* Zoila Mendoza: Heidi Feldman, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific \* Edward O. Henry: Martin Clayton, Music, Time and Place: Essays in Comparative Musicology \* Barley Norton: Nathan Hesselink, P`ungmul: South Korean Drumming and Dance \* Chan E. Park: Keith Howard, ed., Korean Pop Music: Riding the Wave \* Svanibor Pettan: Anna Czekanowska, Ursula Hemetek, Gerda Lechleitner & Inna Naroditskaya, eds., Manifold Identities: Studies on Music and Minorities Recording Reviews (Dan Bendrups, ed.) \* Robin Ryan: Review Essay: Sweet Sounds og a Sugar Town About the Contributors ····· 1036158297

***Music and Politics on the Korean Peninsula

····· lezzter Preis 24.00€ ···· Rheinberg-Buch.de - Bücher, eBooks, DVD & Blu-ray
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Notation, Transcription, visual Representation

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Contents: Articles Marin Marian-Balasa: Who Actually Needs Transcription Notes on zhe Modern Rise of aethod and the Postmodern Fall of an Ideology Rytis Ambrazevicius: The Perception and Transcription of the Scale Reconsidered: Several Lithuanian Cases Triinu Ojamaa: Throat Rasping: Problems of Visualisation Regine Allgayer-Kaufmann: From the Innocent to the Exploring Eye: Transcription on the Defensive Gerd Grupe: Notating African Music: Issues and Concepts Wim van der Meer: Visions of Hindustani Music Nicolas Magriel: Visualising North Indian Music: Looking at Khyal Songs Frank Kouvenhoven: Transcribing `e Time`e in Chinese Non-measured Songs Book Reviews (Tina K. Ramnarine, ed.) Daniel Avorgbedor: Charry, Eric. Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africasi> Tong Soon Lee: Matusky, Patricia, and Tan Sooi Beng. The Music of Malaysia: The Classical, Folk and Syncretic Traditions Jonathan McIntosh: Stige, Brynjulf. Culture-Centered Music Therapy Katherine Butler Brown: Ruckert, George E. Music in North India: Experiencing Music, Expressing Culture - Viswanathan, T., and Allen, Matthew Harp. Music in South India: Experiencing Music, Expressing Culture Recording Reviews (Gregory F. Barz, ed.) Geoffrey Whittall: Masters of the Balafon: (1) Friend, Well Come! (2) The Joy of Youth (3) The Wood and the Calabash. Produced by Hugo Zemp. Selenium Films About the Contributors ····· 1036158269

***Musical Reverberations from the Encounter of Local and Global Beleif Systems

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Contemporary British Music Traditions

····· lezzter Preis 24.00€ ···· Rheinberg-Buch.de - Bücher, eBooks, DVD & Blu-ray
Contents: Articles Britta Sweers: Preface: Contemporary British Music Traditions \* Ian Russel: Sacred and Secular: Identity, Style, and Performance in Two singing Traditions from the Pennines \* Jonathan P.J. stock: Ordering Performance, Leading People: Structurin an English Folk Music Session \* Katy Radford: Red, White, blue, and Orange: An Exploration of Historically Bound Allegiances through Loyalist Song \* Tina K. Ramnarine: Imperial Legacies and the Politics of Musical Creativity \* Laura Leante: Shaping Diasporic Sounds: Identity as Meaning in Bhangra \* Book Reviews (Tina K. Ramnarine, ed.) Sean Williams: Michael Tenzer, Gamelan gong Kebyar: The Art of Twentieth-Century Balinese Music \* Vic Gammon: Kay Kaufmann, Soundscapes: Exploring Music in a Changing World \* Keith Howard: Mark C. van Tongeren, Overtone Singing: Physics and Metaphysics of Harmonics in East and West \* Britta Sweers: Meirion Hughes, the English Musical Renaissance and the Press 1850-1914: Watchmen of Music \* CD Reviews (Gregory F. Barz, ed.) Banning Eyre: Starry Nights in Western Sahara \* Hiromi Lorraine Sakata: Anthology of World Music: Afghanistan \* Anne Morrison Spinney: The Distant Native Voice: America`s Other Musical Heritage - Jackson Berkey, Native American Ambiences \* Sanubar Baghirova: Anthology of World Music: The Music of Azerbaijan \* Jonathan Ritter: Music and Ritual of the Peruvian Andes \* Karen A. Peters: Bulgaria: Songs from Nedelino: Tradition of the Rhodopes \* Susan Hurley-Glowa: The Alan Lomax Collection Sampler \* Yanni Afendoulis: Armenie: Benik Abovian & Zaven Azibekian \* Jonathan Shannon: Sufi Chanting from Syria: Dhikr Qadiri Khalwati of the Zawiya Hilaliya, Aleppo-Syria, Muhammad Qadri Dalal: Unwonted Maqamat \* Jeffrey W. Sheehan: Wade in the Water: African American Sacred Music Traditions, vols. 1-4 \* Gregory Barz: Uganda and other African Nations - Feasts of the Savanna: A Musical Journey Through East and West Africa \* About the Contributors ····· 1036158267

***Traditional Music and Composition

····· lezzter Preis 24.00€ ···· Rheinberg-Buch.de - Bücher, eBooks, DVD & Blu-ray
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Contesting Tradition

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Articles + Frank Gunderson: Preface + Shannon Dudley: Creativity and Control in Trinidad Carnival Competitions + Gavin Douglas: The Sokayeti Performing Arts Competition of Burma/Myanmar: Performing the Nation + Rebecca S. Miller: `Me `Ain Lie on Nobody!` Locality, Regionalism, and Identity at the Parang String Band Competition in Carriacou, Grenada + Sean Williams: Competing Against `Tradition` in the Sundanese Performing Arts + Sylvia Nannyonga-Tamusuza: Competitions in School Festivals: A Process of Re-inventing Baakisimba Music and Dance of the Baganda (Uganda) + Ramona Holmes: It`s a Girl Bonding Thing: Softball Cheers in the United States + Chris Goertzen: Galax, Virginia`s `Old Fiddlers Convention`: The Virtues and Flaws of a Giant Fiddle Contest Book Reviews (Jonathan Stock, ed.) + Denis-Constant Martin: Review Essay: Technology, and the Contradictions of Globalisation. Gebesmair, Andreas and Alfred Smudits, eds. Global Repertoires: Popular Music Within and Beyond the Transnational Music Industry and Taylor, Timothy D. Strange Sounds: Music, Technology, and Culture + Keith Howard: Bohlmann, Philip V.: World Muisc: A Very Short Introduction + Beverly Diamond: Muller, Carol Ann: Rituals of Fertility and the Sacrifice of Desire. Nazarite Women`s Performance in South Africa + Marin Marian-Balasa: Reichl, Karl, ed. The Oral Epic: Performance and Music + Henry Spiller: Williams, Sean. The Sound of the Ancestral Ship: Highland Music of West Java + Gisela Pobst-Effah: Hemetek, Ursula. Mosaik der Klänge: Musik der ethnischen und religiösen Minderheiten in Österreich + Auste Nakenie: Ceribasic, Naila and Grozdana Marosevic, eds. Glazba, Folklor i Kultura: Svecani zbornik za Jerka Bezica / Music, Folklore, and Culture: Essays in Honour of Jerko Bezic + Briefly Mentioned + Suzel Ana Reily: Quintero-Rivera, Mareia. A cor e o som da nacao: a ideia de mesticagem na critica musical do Caribe hisanico e o do Brasil (1928-1948) + Jonathan J.P. Stock: Bartok, Bela. Turkish Folk Music from Asia Minor, rev. ed. and Lenoir, Yves, chief ed. Archives Bela Bartok de Belgique: Fonds Denijs Dille CD Reviews (Gregory F. Barz, ed.) + Nancy Elisabeth Currey: Eglise Syriaque Orthodoxe D`Antioche / The Syrian Orthodox Church of Antioch: Chants Liturgiques du Careme et du Vendredi Saint. INEDIT + Gregory F. Barz: Tanzania: Music of the Farmer Composers of Sukumaland: We Never Sleep, We Dream of Farming. Multicultural Media About the Contributors ····· 1036158264

Traditional Music in Baltic Countries

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Contents: +++ Articles \* Martin Boiko: Baltic and Balts: On the History of Notions and the Question of Baltic Regionalism \* Valdis Muktapavels: Musical Instruments in the Baltic Region: Historiography and Traditions \* Daiva Vyciniene: Lithuanian Schwebungsdiaphonie and its South and East European Parallels \* Anu Vissel: Estonian Herding Songs from the Perspective of Ethnic Relations \* Arnold Klotins: The Latvian Neo-folklore Movement and the Political Changes of the Late 20th Century \* Ingrid Rüütel: Wedding Songs and Ceremonies of the Kihu Island in Estonia +++ Institutions \* Janika Oras and Ergo-Hart Västrik: Estonian Folklore Archives of the Estonian Literary Museum \* Ingrid Rüütel: Department of Ethnomusicology at the Estonian Literary Museum \* Zaiga Sneibe: The Collection of Folk Music in the Archives of Latvian Folklore \* Rimantas Astrauskas and Dalia Urbanaviciene: Department of Ehnomusicology, Lithuanian Academy of Music and Section of Ethnomusicology at the Institute of Musicology, Lithuanian Academy of Music \* Auste Nakiene: Ethnomusikologie am Institut der Litauischen Literatur und Folklore \* Rimantas Sliuzinskas: Institute of Musicology, University of Klaipeda, Lithuania +++ Book Reviews (Jonathan Stock, ed.) \* Jonathan Stock, Marian Marian Balasa, Calep Okumu Crispo, Michael Morse: Review Symposium: Music and the Racial Imagination, Ronald Radano and Philip. V. Bohlman, eds. \* Carol Muller: Music and Gender, Pirrko Moisala and Beverly Diamond, eds. \* Frank Kouwenhoven: Bluegrass Odyssey: A Documentary in Pictures and Words, Carl Fleischhauer and Neil V. Rosenberg, eds. \* Briefly Mentioned \* Jonathan Stock: Las culturas musicales: Lecturas de ethnomusicologia, Francisco Cruces, chief ed. +++ Recording Reviews (Gregory F. Barz, ed.) \* Jonathan Ritter: Recording Review Essay: Afro-Hispanic Music from Western Columbia and Ecuador/i> and Ecuador and Columbia: Marimba Master and Sacred Songs +++ About the Authors ····· 1036158263

Folk Music in Public Performance

····· lezzter Preis 32.00€ ···· Rheinberg-Buch.de - Bücher, eBooks, DVD & Blu-ray
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Local Musical Traditions in the Globalization Process

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Spirit Practices in a Global Ecumene

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Gothic, Metal, Rap and Rave

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Hearing and Listening in Cultural Contexts

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Old Instruments in New Contexts

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Cultural Concepts of Hearing and Listening

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Folk Music Revival in Europe

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